{"id":12717,"date":"2022-02-24T16:58:12","date_gmt":"2022-02-24T15:58:12","guid":{"rendered":"https:\/\/www.onj.org\/?post_type=programme&#038;p=12717"},"modified":"2023-01-20T10:07:07","modified_gmt":"2023-01-20T09:07:07","slug":"rituels-2","status":"publish","type":"programme","link":"https:\/\/www.onj.org\/en\/programme\/rituels-2\/","title":{"rendered":"Rituels"},"content":{"rendered":"<h2>\u00ab Art does not reproduce the visible but makes visible. \u00bb<\/h2>\n<p class=\"p1\">That famous phrase of painter Paul Klee, a great 20<span class=\"s1\"><sup>th<\/sup><\/span> century creator and himself a musician, might just as well apply to music. What his statement teaches us is that for the genuine creator, an image, whether simple or complex in appearance, is always suffused with tension, poetry and enigmas. Similarly, for Fr\u00e9d\u00e9ric Maurin, who has a fondness for spectral music and sound-illusions, what we know as music is above all a sensitive surface that must allow every listener access to his or her own imagination.<br \/>\n<span style=\"font-size: revert; color: initial; font-family: -apple-system, BlinkMacSystemFont, 'Segoe UI', Roboto, Oxygen-Sans, Ubuntu, Cantarell, 'Helvetica Neue', sans-serif;\"><br \/>\nWith this programme entitled Rituels and in an acoustic version of the orchestra, Fr\u00e9d\u00e9ric Maurin has wanted to unveil a more organic facet of this work that serves composing by favouring fanciful illusions. Within this orchestral setting, voices are summoned like as many instruments in their own right: the voice is the primary, intimate vector of all that is human, together with the imaginary and the spiritual.<\/span><\/p>\n<p class=\"p1\">This original material cowritten by Fr\u00e9d\u00e9ric Maurin with Camille Durand, Sylvaine H\u00e9lary, Gr\u00e9goire Letouvet and Le\u00efla Martial \u2014 four adventurous artists who belong to the cream of the current French jazz scene \u2014 invites the spectator to follow the orchestra on a path constructed around the notion of daily rituals: different poetic sound tableaus that evoke time as an endless return. Taken together, these pieces of music compose a world of contrasts enriched with a video creation conceived by the filmmaker Mali Arun.<\/p>\n<h1>ALBUM<\/h1>\n<p><strong>DOUBLE ALBUM STUDIO<br \/>\nReleased on August 21, 2020<\/strong><br \/>\nONJ Records &#8211; L&#8217;Autre Distribution<\/p>\n<p><a href=\"https:\/\/orchestrenationaldejazz.bandcamp.com\/album\/rituels\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-12384\" src=\"https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-11.39.03.png\" alt=\"\" width=\"427\" height=\"332\" srcset=\"https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-11.39.03.png 1036w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-11.39.03-300x233.png 300w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-11.39.03-1024x795.png 1024w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-11.39.03-768x596.png 768w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-11.39.03-600x466.png 600w\" sizes=\"(max-width: 427px) 100vw, 427px\" \/><\/a><\/p>\n<hr>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/HbiPV17FgII\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/UBpJy1kPntc\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<p><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/TO3-tMckj7s\" width=\"560\" height=\"315\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr>\n<h6>With the support of the Sacem, Spedidam and R\u00e9gion Ile-de-France<\/h6>\n<p><a href=\"https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-10.50.10.png\"><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-12382\" src=\"https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-10.50.10.png\" alt=\"\" width=\"390\" height=\"51\" srcset=\"https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-10.50.10.png 870w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-10.50.10-300x39.png 300w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-10.50.10-768x101.png 768w, https:\/\/www.onj.org\/wp-content\/uploads\/2019\/03\/Capture-de\u0301cran-2022-01-20-a\u0300-10.50.10-600x79.png 600w\" sizes=\"(max-width: 390px) 100vw, 390px\" \/><\/a><\/p>\n<p>Artwork \u00a9 element-s<\/p>\n","protected":false},"featured_media":7867,"template":"","meta":[],"acf":[],"_links":{"self":[{"href":"https:\/\/www.onj.org\/en\/wp-json\/wp\/v2\/programme\/12717"}],"collection":[{"href":"https:\/\/www.onj.org\/en\/wp-json\/wp\/v2\/programme"}],"about":[{"href":"https:\/\/www.onj.org\/en\/wp-json\/wp\/v2\/types\/programme"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.onj.org\/en\/wp-json\/wp\/v2\/media\/7867"}],"wp:attachment":[{"href":"https:\/\/www.onj.org\/en\/wp-json\/wp\/v2\/media?parent=12717"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}